prints of Watabe Yūkichi’s “Criminal Investigation”Posted: 01/07/2012
Though it thrilled the small, photobook-obsessed corner of the blogosphere, the book of Watabe Yūkichi’s series A Criminal Investigation whelmed me. It’s pretty, even elegant; but the printing doesn’t show detail (and doesn’t make up for this in any obvious way), the elastic band is going to age, and it costs a lot. It contains material for perhaps one quarter of some other, excellent book; but I give it three stars out of five.
Still, I do like the photos, and atsushisaito tipped me off to a show of the series at the TAP Gallery (map, map), running till 8 July. He was most (politely) persuasive, so Mrs microcord and I went out to see it.
As we got out of the train I heard my name called and there was a friend I hadn’t seen for over a decade, together with a handsome young man. After a short chat we emerged. Featureless at first glance, the neighbourhood quickly turned out to have a lot of fascinating corners. The weather was glorious. So I was already in a good mood as we walked in the door.
I forgot to count how many photos there were around the small room. Not too many. The small prints — I think what are quaintly called “8 by 10” — are large enough. They’re darker than the reproductions in the book, more detailed, and (something I always like) sometimes from different frames. “Vintage prints” (not exhibited) cost peanuts by DLK Collection’s standards but major moolah by mine. But the prints exhibited were priced so reasonably that I peeled notes from my tight wad. Yes, I bought a print (of a frame that doesn’t appear in the book); here’s an atrocious reproduction.
Like many photo galleries, TAP has a shelf of books and so on of particular connection to its regular exhibitors. These shelves are usually of interest (notably signed yet slightly discounted copies of Dodo Shunji’s Ōsaka at Totem Pole). TAP doesn’t disappoint: it has issue number zero of a new photo magazine, Ima. This has a bit too much of an emphasis on names (Ryan McGinley etc) amply hyped elsewhere, but all the same there’s good stuff. At 1500 yen a pop the magazine won’t be cheap, but this is only 60% or so more than the cost of Asahi or Nippon, which don’t offer many good photos these days. (The current Asahi has Bangladesh by Kikai and a good series by Someya Manabu, but little else. A high percentage of the nudes show industrial-strength retouching, but there’s no hint of ironic intent.) It’s a brave or insane publisher that starts a magazine in Japan, where the more interesting new magazines (e.g. Kaze no tabibito) reliably shrivel and die; let’s hope that this Ima lasts long and without becoming just yet another shoppers’ guide.
Here’s TAP (counting down to a party):
Seeing Watabe’s good photos put me in the mood to take some crap photos. I took a very slightly roundabout route to the nearest station and encountered these sights on the way:
Reading material in the train on the way back home. TAP Gallery obligingly has not one but three postcards for the show.
Go to TAP Gallery for your free set of postcards, but buy a print (or three) while you’re there.